My role in that project was creating the scenography for a documentary play. i tried to create an imitating environment to the interior of the mosque where the “Muezzins” spend most of their time, by adding a mosque decorative carpets and small props from what is usually they use everyday like a small kettle for tea, vacuum machine, fans, prayer watch, chairs …etc. and as a background we created a light installation from the green neon light which is usually related to the mosques in egypt. We also made four big screens as a background of the whole stage in between the green installation light. The screens act as big windows on to each muezzin life showing videos from their real life in relation to there spoken context.
In Cairo most muezzins are government employees who often sleep in the mosques and rarely visit their families living in remote villages. Besides being responsible for the call to prayer, they are also often caretakers of the place of worship, they clean the mosque and close the doors in the evening.
Their calls mingle above Cairo, the city of a thousand mosques (there are actually about 30,000), forming a multifaceted soundscape. This is however about to change: The Minister of Religious Foundations wants to introduce a centralized muezzin by the end of this year.
“Radio Muezzin” focuses on four muezzins: a blind Qu’ran teacher who travels to the mosque in a minibus for two hours every day; a farmers’ son and former tank driver from Upper Egypt, who vacuums the carpet in his mosque; an electrician, who began to recite the Qu’ran after a serious accident, and a bodybuilder and runner-up world champion in Qu’ran recitation.
“Radio Muezzin” has them meet an engineer who learned to encode radio signals at the Aswan dam. In a mosque made of carpets and fans, they become the protagonists reconstructing their own lives. Between their words and the video images of their daily lives emerge new voices that describe the transformation of the call to prayer in the age of its technical reproduction.